‘Come see how the vampires do it.’
House of Dark Shadows is a 1970 American horror feature film produced and directed by Dan Curtis (Dead of Night; Bram Stoker’s Dracula; The Norliss Tapes; Trilogy of Terror; et al), based on his Dark Shadows television series. The movie stars Jonathan Frid, Grayson Hall, Kathryn Leigh Scott, David Henesy and Roger Davis.
The MGM production had a budget of a mere $750,000 and was a box office success, spawning a sequel, Night of Dark Shadows. Meanwhile, Tim Burton’s supercilious, albeit fun reboot, Dark Shadows, apparently cost a staggering $150 million…
There’s a lot that you can say about this vampire film from 1970 but I think it can all be summed up with one word: relentless.
A lot of this is because House of Dark Shadows is a film adaptation of a daytime drama. Over the course of six seasons, Dark Shadows ran for a total of 1,220 episodes. That’s a lot of story to cram into a 97-minute film yet director Dan Curtis does just that. The end result is an incredibly busy film and I mean that in the best way possible.
Seriously, there are so many twists and turns in this film’s plot that it’s difficult to even know where to begin. This is one of the most incident-filled horror films that I’ve ever seen. No sooner does one plot-line resolve itself than another begins. Meanwhile, a surprisingly large cast wanders through the shadows and tries not to get transformed into a vampire. Most of them do not succeed.
See if you can keep all of this straight:
In Maine, a lowlife handyman named Willie (John Karlen, giving the film’s best performance) breaks into a mausoleum and approaches a coffin that’s covered with chains. Willie thinks that there’s a treasure hidden in the coffin but, after he removes the chains, he instead discovers that he’s stumbled across the home of a vampire! Barnabas Collin (Jonathan Frid, who perfectly combines old world manners with thinly-veiled menace) has spent 175 years trapped in that coffin and now that he’s been released, he’s not in a very good mood.
Soon, Barnabas has introduced himself to his descendants (including Joan Bennett, as Elizabeth, the family matriarch) as a cousin from England. Everyone is impressed with Barnabas’s charm and courtly style. Of course, some people are a little bit skeptical. Professor Stokes (Thayer David) notices that Barnabas doesn’t seem to know much about London while Dr. Hoffman (Grayson Hall) flat out accuses Barnabas of being a vampire. Barnabas admits that this is true but fear not! Dr. Hoffman’s fallen in love with him and wants to help cure him.
Meanwhile, everyone in town is growing concerned about all of the bloodless bodies that are showing up. They especially get worried after Elizabeth’s daughter, Carolyn (Nancy Barrett), dies and then promptly comes back to life, complete with her own set of fangs…
While the town concerns itself with what to do about Carolyn, Barnabas has fallen in love with a nanny named Maggie (Kathryn Leigh Scott), who he thinks is the reincarnation of his former lover. Unfortunately, Maggie already has a boyfriend named Jeff (Roger Davis) but when has the ever been a problem for a vampire? Far more of a problem than Jeff is the fact that Willie is also in love with Maggie and Dr. Hoffman is so jealous of Barnabas’s love for Maggie that she’s willing to inject him with a formula that causes him to transform into an elderly man….
And all that’s just in the first hour!
Needless to say, it all leads to one final, gore-filled confrontation. When I say that this film is gory, I mean just that. Blood isn’t just spilled in House of Dark Shadows. Instead, it flows like water busting out of a cracked dam. When Barnabas bites a victim, he doesn’t just leave two neat little puncture marks. Instead, he literally rips their neck to shreds. Just how savage Barnabas and Carolyn get in this film is one of the things that sets House of Dark Shadows apart from other vampire films. As opposed to the type of tragic figure who shows up in so many vampire films, Barnabas is ruthless, cruel, and unforgiving. He’s a genuinely frightening creation.
House of Dark Shadows is a chaotic movie yet it’s also a lot of fun. This is one of those films that you watch in amazement as it just keeps going and going, piling on one incident after another. Does the film always make sense? No, but it doesn’t have to. Quickly paced and featuring nonstop gore and fog, the film has a dream-like feel to it. Curtis and the cast attack the material with such unbridled enthusiasm that it doesn’t matter if the plot occasionally doesn’t always add up or if the dialogue is occasionally a bit clumsy. It’s impossible not to get swept along with the film’s insanity.
Probably because of its television roots, House of Dark Shadows is often dismissed by critics. (I’ve never seen any old episodes of the show so I can’t say how the movie compares to it.) Well, those dismissive critics are wrong. House of Dark Shadows is now one of my favourite vampire films and it’s definitely one that deserves to be rediscovered. And yes, it’s a helluva lot better than the movie that Tim Burton made with Johnny Depp…
Lisa Marie Bowman, HORRORPEDIA – guest reviewer via Through the Shattered Lens
“Director Curtis makes the transition from the small screen with considerable vigour and adds the touch of unusual touch of trying to have a vampire killed of his ‘affliction’ by modern medicine. The film benefits from lavish MGM production value and some genuinely terrifying make-up.” Alan Frank, The Horror Film Handbook
“Playing, design and photography all achieve consistently high standards, and Curtis gives the conventions new force and resonance through a simple trust in their original power. The climax is particularly effective.” The Aurum Film Encyclopedia: Horror
“It positively oozes with gothic atmosphere and is crammed with derivative but extremely well crafted and memorable set pieces … all but inventing a style as effective as Britain’s and the European continent’s best horror films yet also one distinctive from those and even singularly American. In short, it’s one of the best horror movies of its era.” Stuart Galbraith IV, DVD Talk
“It’s also better than Burton’s film. The tone isn’t as erratic, the finale is more exciting (and less prone to out of nowhere idiocy), and Barnabas is much more interesting here. Depp’s version didn’t manage to be scary, so when he had to be a vampire it didn’t work, but Jonathan Frid really sells his character’s conflict of a guy who doesn’t want to be the monster he has to be in order to live.” Horror Movie a Day
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