‘Reality isn’t what it used to be’
In the Mouth of Madness is a 1995 American Lovecraftian horror feature film directed and scored by John Carpenter (Halloween; et al) and written by Michael De Luca, who was at the time of the film’s release in charge of New Line Cinema.
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On July 24, 2018, Scream Factory is releasing In the Mouth of Madness as a Collector’s Edition Blu-ray release with a new HD transfer. Joel Robinson designed the new cover art above.
- New 4K scan of the original film elements
- New Audio Commentary with director John Carpenter and producer Sandy King Carpenter
- New Horror’s Hallowed Grounds – a look at the film’s locations today
- New The Whisperer of the Dark – an interview with actress Julie Carman
- New Greg Nicotero’s Things in the Basement – a new interview with special effects artist Greg Nicotero including behind-the-scenes footage
- New Home Movies from Hobb’s End – Behind the Scenes footage from Greg Nicotero
- Audio Commentary with director John Carpenter and cinematographer Gary B. Kibbe
- Vintage Featurette – The Making of In the Mouth of Madness
- Theatrical Trailer
- TV Spots
Hired to help locate missing author Sutter Cane, investigator John Trent (Sam Neill) and Cane’s female editor (Julie Carmen) travel to New England, discovering a town filled with terrifying scenes right out of Cane’s books (which include The Hobb’s End Horror, a reference to Hammer’s Quatermass and the Pit), from random axe murders to far worse. Have Cane’s fans gone psychotic and begun imitating his writings, or are Cane’s stories of an otherworldly evil invading the earth actually true?
The film pays tribute to the work of seminal horror writer H. P. Lovecraft, with many references to his stories and themes. Its title is a play on two of Lovecraft’s tales, The Shadow Over Innsmouth and At the Mountains of Madness, and insanity plays as great a role in the film as it does in Lovecraft’s fiction. The opening scene depicts Trent’s confinement to an asylum with the bulk of the story told in flashback, a common technique of Lovecraft’s. Quick reference is made to the Old Ones of the Cthulhu Mythos, as well as to Lovecraftian settings and characters (such as Mrs Pickman). As read on-screen, Sutter Cane’s writings even incorporate direct passages from his work. All of Sutter Cane’s novels have similar titles to H.P. Lovecraft’s books (e.g., The Hobb’s End Horror in reference to The Dunwich Horror).
The film can also be seen as a reference to Stephen King, who, like Lovecraft, also writes horror fiction set in New England hamlets. King is even mentioned towards the beginning of the movie; it is suggested that Cane’s work is more frightening than King’s and that he out sells him.
“The screenplay by Michael De Luca is rife with clever touches and ideas, and Carpenter’s sensibly solid approach to the material gives it a certain matter-of-factness that melds surprisingly well with the surrealistic imagery. Though often criticized for being a film that starts off well but loses steam at the end, I’d say it’s one of the director’s most successfully realized projects.” Troy Howarth, Eccentric Cinema
“In trying to be inventive and unique, the story occasionally manages instead to annoy and confuse. There’s too much of the dream-within-a-dream-within-a-dream and other similar stuff going on. A little of this might have created a nice sense of ambiguity, but Carpenter overdoes it.” James Berardinelli, Reel Views