The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was based on Edgar Allan Poe’s short story of the same name.
Set in 16th century Spain, the story is about a young Englishman who visits a forbidding castle to investigate his sister’s mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film’s climactic sequence.
The film was the second title in the popular series of Poe-based movies released by American International Pictures (AIP), the first having been Corman’s House of Usher released the previous year. Like House, the film features widescreen cinematography by Floyd Crosby, sets designed by art director Daniel Haller, and a film score composed by Les Baxter. A critical and box office hit, Pit’s commercial success convinced AIP and Corman to continue adapting Poe stories for another six films, five of them starring Price.
This new edition looks astonishing – colours so vibrant that they almost burn off the screen. And it comes with a rather significant extra, in the form of An Evening with Edgar Allan Poe, a 1970 TV special of the type you’d never see today.
Essentially a one-man show featuring Price, shot live on stage (in front of an audience) and containing ‘lively’ readings of The Tell Tale Heart, The Sphinx, The Cask of Amontillado and The Pit and the Pendulum. It has the look you’d expect for a videotaped production of this age, and if we are to be fair, Price rather hams it up a lot of the time, but it’s a lot of fun nevertheless, and great to see included here.
Also present is Corman’s entertaining commentary track, and an odd five minute additional scene, shot in 1968 to pad out the film for TV, and which makes no sense at all. It presumably appeared at the start of the film, setting the story up as a flashback, but you’ll be glad it isn’t a part of the main feature.”
David Flint, Horrorpedia
In 1968, when the film was sold to ABC-TV for television airings, the network noted that the film was too short to fill the desired two-hour time slot. They requested that AIP pad the film out. Approximately five minutes of additional footage were subsequently shot by Corman’s production assistant Tamara Asseyev.
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Of the original cast members, only Luana Anders was available at the time, and the new sequence featured her character, Catherine Medina, confined to a lunatic asylum. After much screaming and hair pulling, Catherine reveals the details of her horrific story to her fellow inmates, at which point the film itself follows as a flashback. This shot-for-television footage has been made available as an extra on the MGM Midnite Movies DVD release of the film, but was erroneously advertised as being the “Original theatrical prologue”
“Pit is great delirious fun, and Price is magnificent as always, sinking deeper and deeper into a pit (pardon the pun) of madness.” Lawrence P. Raffel, Monsters at Play
“The Pit and the Pendulum will be too over the top for some viewers, but if you have a taste for this sort of thing, it’s delicious. Corman revels in his art and Price is compelling as always. Whilst parts of it might seem more like pantomime than modern horror, it is still a truly fantastic viewing experience.” Jennie Kermode, Eye For Film
“The Pit and The Pendulum is a masterpiece of gothic horror that has no equals. There was/is nothing that could equal the force of both acting and directing prowess leveled when Vincent Price took the stage under the direction of Roger Corman.” Chuck Arrington, DVD Talk